Category: Montana

Fly fishing adventures, travel stories and observations from Montana and the American West.

For years, Yellowstone had been a fishing place to me. I knew it through the Lamar, Soda Butte and Slough Creek, through long days walking into isolated lakes and mornings spent searching for cutthroat in water that seemed almost too beautiful to spoil by wading. Some seasons I fished inside the park for twenty or twenty-five days. In others, only five or six. Either way, it was always one of the high points of the trip. I knew where to stop, where to walk, which stretches were worth the effort and which roads would be clogged by midmorning. I knew which valleys held their cold longest, where the bison tended to gather, and how quickly a quiet roadside pullout could become impossible once the traffic began.

I had spent first light in the Lamar Valley with a long lens, tripod and teleconverters, scanning the hillsides for bears and wolves before turning my attention back to the rivers. Wildlife had always been part of Yellowstone for me, but usually as an opening act. Once the light strengthened, the camera went away, the rod came out and the day reorganised itself around water. I thought I knew Yellowstone.

This time, I was seeing it through my children. We had been moving through the park and the surrounding country for almost two weeks. We entered first from the south, after driving through Grand Teton National Park and stopping at Schwabacher Landing, where my wife and I had been married years earlier. We stood there again with our children beneath the same mountains, looking across the water towards the Tetons. The scene was familiar, but not in the way I expected. Memory had held it still. Life had not.

Returning with the children changed the place. It was no longer simply the backdrop to an earlier part of our lives. The four of us were standing inside the same landscape years later, trying to reconcile memory with the people we had become. There is something strange about returning to a place that has carried such importance in your mind. You expect it to unlock the earlier version of yourself, but it rarely does. The mountains are still there. The reflections still gather in the same water. What has changed is the person looking at them. My wife and I were no longer the couple who had stood there alone. We had arrived with two nearly grown children, each seeing the place without the weight of our memories. To them, it was simply beautiful. To us, it was beautiful and crowded with time.

Nearby, we visited Jenny Lake and the overlook above the Snake River, then spent time hiking in the country between Jackson and Victor. Later, we drove around and entered Yellowstone through West Yellowstone, beginning a more familiar circuit through Old Faithful, Grand Prismatic, Yellowstone Lake, Hayden Valley and the canyon. The children were interested in the fact that we were driving inside a volcano. As we moved through the park, I tried to explain the caldera, pointing out sections of its rim and showing them on Google Maps and paper maps. It is one thing to tell someone that Yellowstone sits inside one of the largest volcanic systems on earth. It is another to show them that they have been driving across it for hours without reaching the other side.

The scale is difficult to comprehend because the landscape does not present itself as a single crater. It arrives as forests, rivers, lakes, valleys, geysers and long roads. You pass through it piece by piece, never quite able to hold the whole thing in your head. I explained the magma chamber, the ancient eruptions and the continuing movement beneath the ground. I pointed towards steaming hillsides and mineral terraces and tried to make the invisible machinery beneath us feel real. They listened, asked questions and then, quite often, fell asleep. That became part of the rhythm of the trip. I would begin explaining some geological or historical detail with the confidence of a man delivering essential information, glance into the rear-view mirror and find both children asleep against the windows.

Our mornings began at four. To see Yellowstone properly in summer, you need to move before most people have left their beds. By first light, we were already in Hayden Valley, binoculars raised, searching the slopes and timber edges for grizzly bears. At that hour, the roads were quiet and the park still belonged largely to the animals. The light arrived slowly across the valley floor. Bison moved through the grass, and every dark shape near the timber demanded a second look through the binoculars. The mind begins playing tricks in country like that. A stump becomes a bear. A shadow becomes a wolf. A distant bison lying in the grass can occupy ten minutes of serious discussion before finally standing up and resolving the matter.

The forecasts had suggested temperatures in the mid-thirties, but we were fortunate. Most days remained overcast and rarely climbed beyond the high twenties. The cooler conditions kept the animals active for longer and gave us more time before the heat, traffic and crowds began to take over. At first light, the park felt almost empty. We walked along raised timber boardwalks above steaming mud and mineral-stained ground with barely another person in sight. The smell of sulphur hung over everything, sometimes so strong it turned the stomach. Steam moved across the path in slow sheets, briefly hiding the landscape before lifting again. The ground hissed, bubbled and breathed beneath us.

There are few places where the earth feels so visibly unfinished. The surface looks temporary, a thin crust stretched over heat and pressure. Water appears in impossible colours. Mud boils. Fumaroles breathe. Entire hillsides seem to be decomposing in front of you. The boardwalks are there for good reason. Wander a few steps in the wrong direction and what looks like solid ground may be little more than a fragile lid over boiling water.

Our first close bison encounter came near one of those thermal areas. It moved beside the boardwalk with the complete indifference of an animal that had seen thousands of people and been impressed by none of them. The size of a bison is difficult to appreciate until one is close. Photographs flatten them. From only a short distance away, the weight of the shoulders, the thickness of the skull and the quiet authority with which they move become impossible to ignore. There is no hurry in them. They move as though the rest of the world will make way, which, generally, it does.

Later, we watched them walk between stopped vehicles, bringing traffic to a standstill while people leaned from windows and held up their phones. Some got out and moved far closer than any sensible person should. That part of Yellowstone never changes. The wildlife is extraordinary. The human response to it can be equally remarkable, though not always for the same reason. Every year, people are warned to keep their distance. Every year, someone seems to interpret a bison standing beside the road as an invitation to move closer for a better photograph.

The children loved the bison, elk, deer and the few moose we managed to find. They slept between sites, waking when something appeared beside the road or when we reached the next stop. Their days developed a rhythm of early excitement, midmorning exhaustion and sudden revival whenever an animal came into view. For me, the pleasure was not simply in seeing these things again. It was watching them see them for the first time. There is a particular expression children have when something exceeds whatever picture they had formed in their minds. It is not quite surprise. It is recognition mixed with disbelief. The animal, mountain or geyser is suddenly real, but larger and stranger than expected.

Before this trip, Yellowstone had been organised around opportunity. Which river was fishing well? Where were the cutthroat rising? How early could I reach the second meadow without running into a bear? There were still fish, of course, but they fitted around everything else. This time, the park itself was the point.

If we happened to pass a river and saw fish rising, it did not take long to pull over. I could be out of the car in shorts and sandals, vest on, net in one hand and rod in the other. I might catch a few fish and be back on the road within half an hour. Those brief sessions had their own appeal. There was no time to overthink them. You saw a rise, found somewhere safe to pull over and stepped into the river with whatever you already had rigged. A few casts, perhaps a cutthroat or two, and then the vest came off, the rod went back in the car and the journey continued.

There is a freedom in fishing without trying to build a day around it. You accept the water as you find it. There is no pressure to solve everything, no need to stay until the last rise. You are simply passing through and lucky enough to be holding a rod when something happens. There were also a handful of more serious sessions, when the fishing became the purpose and we walked some distance from the road to reach quieter water. For the most part, though, it happened only when it fitted comfortably with the rest of the day. That was new for me. In other years, everything else had been arranged around the temperament of trout.

There is something special about standing in a river in Yellowstone, especially with your family nearby. It feels different from fishing with a mate who understands the country, knows the risks and is responsible for himself. When your children are with you in bear country, your attention stretches well beyond the water. You look over your shoulder more often. You listen harder. You notice the wind, the timber behind you, the smell of the air and any movement along the bank. All the senses seem to sharpen at once.

Bear encounters are not as common as people imagine, and bear spray, sound judgement and knowing how to respond make the risk manageable. But none of that entirely silences the older, more instinctive part of the brain that keeps rehearsing the worst possible outcome. You begin calculating distances without meaning to. How far are the children from the car? Which direction is the wind carrying our scent? How thick is the timber behind us? Where is the bear spray? Is it still clipped where it should be? It heightens the fishing rather than diminishing it. The current against your legs, the rise of a cutthroat, the sound of water over stone and the knowledge that you are standing in a genuinely wild place all seem more vivid. It makes you feel intensely alive.

We also did the things I had often passed by. We sat on bar stools and ate a classic American breakfast in one of the tourist places near Old Faithful. There were eggs, bacon, coffee and the familiar low hum of travellers discussing routes, weather and what they hoped to see. We waited for geysers, walked among thermal basins and stood with everyone else above the canyon and waterfalls. In other years, those places had often been something to move past on the way to a river. This time, we allowed them to become destinations in their own right.

Old Faithful is easy to dismiss because everyone knows it. Its eruption times are predicted, the seating fills and hundreds of cameras are raised before anything happens. Yet when the water finally surges into the air, it is still extraordinary. The familiarity of an image does not make the real thing ordinary. The same was true of the Grand Canyon of the Yellowstone. I had seen it before, photographed it and passed through with fishing gear waiting in the car. Standing there with the children, with no immediate need to hurry elsewhere, I understood how often purpose can narrow a place. You see what you came to see and overlook the rest. None of it was new to the world, but much of it was new to us as a family.

By ten in the morning, the park began to change. The empty boardwalks filled. Cars appeared from every direction. By the time we reached Grand Prismatic, we had to park hundreds of metres away and walk back towards the access points with crowds moving in both directions. The difference between dawn and late morning was extraordinary. Only a few hours earlier, we had been walking through thermal country with barely another person in sight. Now every car park was full, the roads were slowing and the quiet of the morning had been replaced by doors slamming, engines idling and people trying to work out where to go next.

At first light, Yellowstone feels enormous. By midday, it can feel strangely confined. A single animal beside the road can stop traffic for kilometres. One full car park pushes vehicles onto the shoulder, then farther along the road, until the landscape begins to look less like wilderness and more like an event everyone has arrived late for. When we left through West Yellowstone around midday, the line of incoming vehicles stretched from the entrance, through the traffic lights in town and beyond its outskirts. It was difficult to look at that line and imagine it as sustainable forever.

Still it remains one of the most extraordinary places on earth, but it is becoming increasingly clear that a place can be loved too much. Not through neglect or indifference, but through the sheer number of people who want to experience it. We were part of that number. My family had every right to see the park, just as the people waiting in those cars did. That is what makes the problem so difficult.

It is easy to complain about crowds when you are already inside the gate. It is easy to imagine that your reasons for being there are somehow more legitimate than everyone else’s. The angler believes he understands the rivers. The photographer believes he rises earlier and behaves better. The family has crossed the world to be there. The retired couple may have waited their whole lives. Everyone has a reason.

The challenge is not keeping people away. It is finding a way to let them in without slowly destroying the very experience they have come to find. Perhaps the answer begins with time: earlier mornings, longer stays, shuttle systems, fewer cars in the most congested places, and a willingness to accept that some landscapes cannot absorb unlimited access simply because demand exists.

Perhaps it also begins with the visitor. Move earlier. Stay longer. Walk farther. Give animals space. Accept that not every sight needs to be approached, photographed or converted into proof. Let other people experience the place without becoming part of their experience.

At dawn, those ideas feel possible. The roads are empty. Steam moves across the boardwalks. Bison graze without an audience. For a brief hour or two, Yellowstone appears untouched by the pressure gathering beyond the entrances. Then the sun rises, the cars arrive and the spell begins to thin.

That may be why first light has become the Yellowstone I remember most clearly from this trip. Not simply because the animals were active or the roads were quiet, but because it allowed us to see the park before it became an attraction again.

For years, Yellowstone had been a fishing place to me. This time, fishing became one small part of something larger. I still remember the cutthroat rising, the rivers slipping through meadow country and the familiar pull of wanting to stop at every piece of likely water. But I remember just as clearly the children waking when a bison appeared beside the road, standing again with my wife beneath the Tetons, steam crossing an empty boardwalk and four of us driving through the caldera before sunrise.

I had thought I knew Yellowstone because I knew its rivers. It took my family to show me how much of it I had been passing by.

 

Before we left Australia, I wrote that for most of my adult life the rivers had dictated the journey.

They decided where I stayed, when I travelled, which roads I followed and how long I remained in any one place. Towns became useful because they sat beside water. Lodgings were judged by their proximity to boat ramps. Weather mattered because of what it might do to a hatch. Much of the American West entered my life through rivers first and everything else second.

This trip was different.

For the first time in sixteen years, my wife travelled with me. Our children came too. There were still rods in the vehicle and familiar stretches of water waiting to be revisited, but the rivers were no longer responsible for every decision. We began on the California coast, crossed the deserts of Nevada and Utah and gradually worked towards Idaho, Wyoming and Montana.

What surprised me, though, was how little I minded the days when we did not fish.

Without the usual urgency of clients, guides and trout, I had time to notice the places between the rivers. The diner where the coffee arrived before we had properly sat down. The service station attendant who wanted to know why four Australians were driving north through his town. The grain elevator standing above a Main Street that had outlived several versions of America. The old motel signs, the faded shopfronts and the roads that seemed to continue long after there was any obvious reason for them to do so.

These were not the destinations around which the journey had been planned. They were the spaces between them. Yet, looking back, they became much of what I remember most.

Manhattan Beach, before the road turned inland.



The first part of the trip belonged to the coast and the desert. After two nights in Santa Monica, the landscape began to open. Los Angeles receded into freeway, heat and distance, and the country changed in stages. The Pacific disappeared behind us. Palms gave way to scrub. The horizon widened. By the time we reached Nevada, the distances and dimensions of the West had started to reveal themselves again.

One of the first things the family noticed was the vehicle.

My wife had expressed some doubts before we left about the need for something quite so enormous. She had never done one of these long American road trips with me before, and from Australia the insistence on a Suburban or Denali-sized vehicle probably seemed excessive. I was equally insistent that anything smaller would be a mistake.

Within the first few hours, the argument was settled.

Everyone had their own large, deeply comfortable seat, their own air-conditioning and enough space around them to avoid feeling as though four people were living on top of one another for several weeks. The seats were closer to the sofas and recliners we have at home than anything most Australians would associate with a car. Bags, suitcases, food, jackets, fishing gear and the assorted debris of family travel disappeared into the back without compromising anyone’s comfort.

The sheer size of the vehicle suited the landscape. You sat higher above the road and felt more secure, but also more a part of the American road trip itself. A small vehicle might have been easier to park, but it would have felt entirely wrong on those long western highways.

It was also considerably cheaper to run than expected. Fuel was an eye-watering $5.50 a gallon in California, but by the time we reached Utah and continued north it had dropped towards four dollars, then closer to $3.50 in Montana. The Denali we ended up with was more fuel-efficient than my Ford Ranger at home, despite having twice the space, three times the power and an abundance of comfort. After several thousand kilometres, none of us wanted anything smaller.

Las Vegas is often described as a city in the desert, but that hardly captures the strangeness of it. It feels less like a city than a concentrated act of defiance. Glass, neon, air-conditioning, fountains and spectacle push up against a landscape that does not appear particularly interested in supporting any of it.

For three days we moved through that contradiction.

The children saw it with the kind of enthusiasm adults sometimes lose. The sheer scale of the hotels, the absurdity of the themed buildings, the crowds, the noise, the constant invitation to look at something else. It was a long way from home and a long way from the rivers that usually explain my presence in America.

From there, Utah arrived. The colour of the country changed first. Then its shape.

Crossing from Nevada into southern Utah.

 

The walls of Zion rose around us with an authority that photographs never quite manage to convey. The roads narrowed. The rock closed in. Light moved slowly across the canyon walls and every change in angle produced another version of the same place. Even after years of travelling through the West, it was difficult not to feel overwhelmed by it.

In Springdale, we hired electric bikes and rode all the way into the canyon to the end of the road. The weather was slightly overcast, holding the temperature somewhere in the high twenties or low thirties, rather than the oppressive heat we had expected. It turned what might have been an endurance exercise into one of the great days of the journey.

There were moments while riding when I looked up and the canyon walls appeared to rise hundreds, perhaps thousands, of feet directly above us. In places they seemed vertical. In others they appeared to lean beyond vertical and hang over the road. The scale was difficult to process from the seat of a bicycle. Deer scattered from the roadside as we passed, the air moved through the canyon and the walls changed colour whenever the light shifted or the road altered our angle of view.

Of everything we did, that ride through Zion may have been the highlight of the trip for me. There was no windscreen between us and the landscape, no searching for a parking space and no pressure to hurry. We simply rode beneath those walls and allowed the canyon to reveal itself gradually.

Riding the canyon road into Zion from Springdale.

Further east, the landscape opened again around Moab. Red cliffs, arches, distant mesas and heat that seemed to settle over everything. There were days when the temperature climbed well beyond forty degrees and the only sensible response was to retreat to a swimming pool and wait for the evening. The wildlife appeared only when the light faded and the day began to lose its sting.

Moab itself and much of the immediate surrounding country can appear surprisingly drab beside the landscapes people have travelled there to see. Once you climb onto the plateau and enter Arches National Park, however, the country changes completely. The view as you crest that final rise is worth the price of admission alone.

The park is relatively compact, but every section seems to offer a different arrangement of stone. Arches, fins, balanced rocks and formations that appear too improbable to have survived rise from the plateau. As the hours pass, the light moves across them and the same landscape takes on an entirely different character. A formation that appears flat and colourless at midday can glow red and orange by evening, while another almost disappears into shadow.

Early light across Arches National Park.

 

 

 

 

 

 

 

 

 

 

 

 

 

The desert around Moab also offers a different kind of exploration. We took a float trip down the Colorado River, moving through a landscape that felt more remote from the water than it had from the road. Cliffs rose from the river, the heat settled across the canyon and the immensity of the country became apparent in a way it had not from the overlooks.

It was not trout country, but it was flowing water, and the pools, seams and eddies carried a language I understood.

The desert teaches a totally different form of patience. Rivers encourage movement. You walk, cast, drift, mend, adjust and search. The desert asks you to stand still. It works on a larger scale and over a slower timeframe. Nothing appears hurried, yet everything is changing. Wind reshapes sand just as water cuts stone. Shadows redraw the same wall over the course of an afternoon.

It is difficult to move through that country without becoming aware of your own smallness. That may be part of its appeal.

Most of us spend our lives surrounded by objects built to human proportions. Houses, roads, offices, cars, shops. In canyon country, scale becomes less reassuring. The land is older, larger and entirely indifferent to the fact that you have arrived with a camera and an itinerary. You feel that indifference the moment you step away from the roadway and into the landscape.

There were moments when the kids were bored. Moments when they were tired. Moments when the heat had stripped the novelty from the day. Then we would turn a corner, walk out onto another overlook or catch the last light on a distant cliff and everything would reset.

Travel often works that way. It is not one uninterrupted sequence of wonder. It is heat, traffic, wrong turns, hunger, fatigue and argument, interrupted by moments so complete they justify everything around them.

From Utah we headed north.

The country began to soften gradually. The red rock thinned. The air cooled. Trees returned in greater numbers. Somewhere beyond Salt Lake City, water began to appear more frequently beside the road.

That transition has always mattered to me and is a large part of why I tend to fly into Salt Lake City rather than taking the easier route directly into Bozeman. You can feel when you are entering trout country before you see the first river. The valleys change shape. Cottonwoods gather along drainage lines. Meadows become greener. Bridges begin to suggest water worth stopping for.

The South Fork of the Snake. The Henry’s Fork. The Teton. The Green. Names that have occupied my imagination for much of my adult life. Normally I would have begun organising the trip around them immediately. There would have been calls to friends, weather checks, hatch reports, river levels and quiet attempts to extract another day from the schedule.

This time I found myself looking elsewhere. At the Tetons from the Wyoming side. At the long roads between small towns. At Jackson with its wooden boardwalks, antler arches and summer crowds. At the children trying to understand why certain places mattered more to us than others.

Sixteen years earlier, Maree and I had stood beneath the Tetons and been married with four witnesses, rising trout and a grizzly bear that had chosen the wrong morning for a walk. Returning with our children changed the meaning of the place.

Returning to the Tetons sixteen years after we were married beneath them.

The mountains were the same. The roads were familiar. The view from Schwabacher Landing had lost none of its power. Yet the experience was no longer anchored only to memory. It had become something shared.

That was the quiet change running through the entire trip.

For years, I had returned to the American West as a guide, host, angler or photographer. This time I was seeing familiar places reflected back through three other people. Their interests were not always mine. One child wanted shops, music and wildlife. The other wanted World Cup matches, activities and anything involving speed. My wife wanted us to slow down, walk the trails and make the most of whatever each day offered.

All of that altered the rhythm.

Island Park became our base for exploring Yellowstone and the surrounding country. It was also where we hired UTVs and travelled along mountain tracks through the forest towards Mesa Falls.

We drove to the top of Sawtelle Peak on a road that became narrower and steeper with every turn. By the time we reached the upper sections, I caught myself wondering whether I would be able to drive the UTV back down. The track clung to the mountain, the drop beside us became increasingly difficult to ignore and the summit seemed to move further away each time the road doubled back.

The view from the top justified the climb. Mountains, forests and distant valleys spread out in every direction. On the tracks below, we spooked moose and deer from the timber, although no bears appeared. Depending on which member of the family you asked, this was either a disappointment or a considerable relief.

There was less fishing. There was also more noticing. Yellowstone made that impossible to avoid.

No matter how many times you visit, the park resists familiarity. Steam rises from the ground. Bison stop traffic as though roads are a temporary inconvenience. Elk stand in meadows with the ease of animals that understand the landscape belongs to them. A moose steps into a river and suddenly an entire group of strangers becomes silent.

It is easy to become cynical about famous places. Crowds, queues, traffic and cameras can make even extraordinary landscapes feel processed. Yellowstone survives that pressure because something unexpected is always waiting beyond the next bend.

It might be a herd of bison crossing a valley. Or a wolf disappearing into timber. It could be a thermal basin half-hidden beneath the morning vapour. Or a moose feeding in water so calm that the reflection appears almost too perfect.

 

 

 

The park restores perspective in much the same way the desert does, but by different means. The desert does it through emptiness. Yellowstone does it through abundance, with wildlife, water, weather, geology and distance all competing for attention at once.

The children responded immediately. Not always with quiet reverence. Sometimes with shouting, arguing over binoculars or trying to take photographs through a moving window. But the excitement was real.

I think that matters. Adults often pretend the natural world is best appreciated silently. Children are less restrained. They react before deciding how they are supposed to react. There is an honesty in that, one that allows us to be less serious and to enjoy the moment before deciding what it is supposed to mean. Through them, I was seeing again with fresh eyes an experience I had repeated through many Australian winters.

The Fourth of July introduced another kind of spectacle. Australians tend to be suspicious of too much public enthusiasm. We are trained early to keep emotion within acceptable limits and to mock anything that appears overly earnest. Americans do not always share that instinct.

Small towns celebrate themselves with remarkable confidence. Flags appear everywhere. Streets close. Horses, old vehicles, tractors, marching bands and homemade floats move through town while entire families line the footpaths.

There is no embarrassment in it. No apology. No effort to appear detached.

Washington Crossing the Madison. Somewhere between history, parody and fly fishing. Only in Ennis could one of America’s most iconic images be reimagined on a Clackacraft drift boat and make perfect sense. It was clever, completely tongue-in-cheek, and one of those wonderfully local moments that reminded me why I enjoy small-town Montana so much.

The parade we watched was loud, colourful, occasionally absurd and completely sincere. People dressed in red, white and blue from head to toe. Children collected sweets thrown from passing floats. Veterans moved slowly along the parade route. Families occupied the same patch of footpath they had probably used for years. Some brought lawn chairs and settled onto the verge. Others watched from the backs of pickup trucks, tailgates down and coolers filled with ice-cold drinks.

It would be easy to reduce the Fourth of July to politics or patriotism, but in small towns it often feels more personal than that. It is partly about memory. Partly about community. Partly about the right to make noise in public and assume everyone else will join in. For visitors, it offers a glimpse of America at its least self-conscious.

That became another recurring feature of the trip: the willingness to participate.

In Australia, people often watch first and decide later whether an experience deserves enthusiasm. In America, particularly in smaller towns, people are more likely to step forward, wave, shout, clap, ask where you are from and offer an opinion before you have had time to introduce yourself.

That openness can be exhausting. But it can also be generous in a way not easily found here at home.

Some of the conversations I remember most happened in places where we had not intended to stop. At a fuel station. In a diner. Outside a general store. Beside a road sign while trying to decide whether to keep driving further before the darkness crept back in.

While the famous destinations gave the journey structure, it was the incidental encounters that gave it texture. By the time we reached Montana, we had entered another version of the West entirely, and even the children could feel the difference.

The working landscape of Ashton, Idaho.

The towns grew smaller. Grain elevators and storage towers rose above the plains, marking settlements long before the streets themselves came into view. Old bars and shops sat beside roads carrying traffic towards somewhere else. Mountains rose and fell in the distance. Rivers moved through valleys with the confidence of water that has shaped the place for longer than anyone remembers.

Montana has always been easy to romanticise. The name itself does half the work. Big sky, long roads, trout rivers, mountain towns and the lingering mythology of the West. But the version I have come to value most is not the postcard version. It is the working landscape. The trucks parked outside a bar at midday. The rail sidings and storage sheds. The service stations. The taco buses parked in dusty lots beside the highway. The small stores that appear to sell groceries, fishing tackle, ammunition and local gossip from the same counter.

The towns where people live ordinary lives inside scenery that visitors have travelled thousands of kilometres to see.

That contrast interests me more each year. The extraordinary and the everyday occupying the same place.

For someone passing through, the mountains dominate everything. For someone who lives there, they are simply the view on the way to work.

Eventually the rivers reclaimed their place. They always do. We saw water through cottonwoods. Riffles appeared beside the road. Bridges invited closer inspection. Familiar names returned on signs and maps.

There is a deep familiarity in returning to places that, over the years, have become another kind of home.

Of course, there were rods in the vehicle and even a few opportunities to fish.

On the South Fork of the Snake, a few large stoneflies were still around, but perhaps more importantly, the memory of those big insects remained fresh in the trout’s minds. Getting the fly tight to the bank and close to structure was absolutely imperative.

Large rubber-legged flies teased along the edges, or pulled slightly away from them, produced violent takes. Once the fly had travelled five or six feet from the bank, there was little point continuing the drift. You recast and placed it within an inch of the edge again. Some of the rises were spectacular, and some large trout were brought to the net.

The Teton River was far below its normal level, but the evening hatches remained strong. Caddis and mayflies appeared in enormous numbers, and as the light softened the river became dimpled with rising fish from one bank to the other.

The water was crystal clear. From the road bridges, fish could be seen holding in surprising numbers, and whenever we looked back into the low evening sun we saw dorsal fins, tails and snouts breaking the surface as trout mopped up the last of the insects from the hatch.

Around Island Park, we found spring creeks full of large rising fish. These trout demanded considerably more precision. Accuracy mattered. Fly selection mattered. Leader length and diameter mattered. The rewards, when everything came together, were worth the additional care.

Yet even then, the urgency was missing. I no longer felt compelled to turn every encounter with water into a session. Some rivers were enough to look at. Some were enough to remember. Some could wait. I borrowed a boat from friends when I felt like it. At other times, we wet-waded for a few hours and called it a day.

That may have been the most surprising change of all.

For years, my travel had been measured by what I managed to fit into it. Rivers fished. Images taken. Places reached. Opportunities used. This time the journey felt complete without being maximised.

Perhaps that is one of the quieter lessons of age. Or perhaps I am selectively remembering the journey to suit a narrative I have already begun to believe. Most likely it is a little of both. Wherever the truth lies, I do not think ambition disappears. Selection simply becomes more important. You learn that doing everything is impossible and that trying often diminishes what is already in front of you.

A day spent moving slowly through Yellowstone does not need to end with fishing. A road through Montana does not need to be justified by where it leads. A town does not need to be famous to be worth stopping in.

The places between rivers are not empty spaces. They are part of the journey.

That breathing room, and the freedom from feeling that every fish had to be wrung from every day, also changed the way I thought about the Montana trips we will host again next year. It allowed me to notice far more of what lies between the fishing locations, particularly on the travel days. I came home with a much clearer sense of how that time can become part of the experience rather than simply the distance that has to be covered. There are towns, landscapes, short detours and places worth stopping that will give the journey more shape without taking anything away from the fishing.

Back home, with winter settled over Victoria and the familiar work of another season waiting, I find myself thinking less about the places we reached than about the way we moved between them. The distance was never simply empty road. It gave us time to talk, to look, to change our minds and to stop when something unexpected caught our attention. In a journey measured across thousands of kilometres, those pauses became as important as the destinations themselves.

Looking back through the photographs, the pattern is obvious. There are rivers, mountains and wildlife, but also roadside signs, diners, old buildings, parades, shopfronts, service stations and people standing in landscapes they are seeing for the first time.

There are fewer fish than usual. And I don’t mind that. Not one little bit.

For most of my adult life, the rivers have dictated the journey. This time they were simply part of it. They waited while we crossed deserts, stopped in small towns, watched bison block roads and stood beneath mountains that had already witnessed one important moment in our lives.

The rivers were still there when we arrived. The hatches continued without us. The trout rose whether we were watching or not. What changed was the attention we gave to everything around them.

Perhaps that is what the trip ultimately became. Not a journey away from rivers, but a reminder that they do not exist apart from the country through which they flow, or the lives that unfold beside them. Next year, when I return with another group of anglers, the rivers will still give the journey its shape. But I suspect we will travel a little more slowly between them.

There will still be hatches to chase, boats to launch and fish worth staying late for. There will also be towns worth entering, roads worth following and reasons to stop that have nothing to do with trout.

The places between rivers are not simply what we pass through on the way to somewhere else.

They are part of what brings us back.

 

Part IV: Between Casts — Reflections from the Road

When you’re in the middle of a trip like this — twelve days, three regions, hundreds of miles of road and river — it’s easy to fall into the rhythm of it all.

Early alarms. Coffee before daylight. Boats launched into cold morning mist. Rods rigged in motel carparks. Long drives between rivers. Burgers eaten leaning against fuel bowsers. Maps spread across tables. Weather forecasts checked one last time before sleep.

Then you wake up and do it all again.

And somewhere in amongst that repetition, the trip slowly begins to gather meaning.

Not just in the fishing itself, but in the quieter moments around it.

The conversations over breakfast.
The silence during long drives.
The strange satisfaction of peeling off wet waders after dark.
The way a group of people who barely knew each other twelve days earlier somehow ends up moving through the world in rhythm.

That’s the part difficult to explain to people who haven’t done trips like this before.

The fishing matters enormously.

But eventually it becomes about something larger than trout.

Three Regions, Three Different Worlds

One of the things I’ve always loved about these Montana trips is how dramatically the landscape — and the fishing — changes as you move across the state.

Craig and the Missouri feel entirely different to Dillon. Dillon feels completely different to Yellowstone.

Each region asks different things of anglers.

The Missouri is technical, measured water. Long leaders, subtle rises, careful drifts and endless patience. It’s a river that teaches restraint. Everything about it feels calm and deliberate. You find yourself slowing down because the river demands it.

It’s also one of the finest dry fly fisheries on earth when conditions align properly.

The fish aren’t always enormous by Montana standards, but they are beautifully conditioned and incredibly honest. If you make a good cast and present the fly properly, they usually tell you quickly whether you’ve succeeded or failed.

There’s something deeply satisfying about that.

Then you arrive in Dillon and everything changes.

The Beaverhead can humble excellent anglers very quickly. Tiny flies. Complex currents. Heavy fish sitting in difficult positions. The Big Hole, by contrast, feels wild and unpredictable. One moment delicate dry fly fishing, the next throwing larger attractors against undercut banks or fishing through pocket water beneath looming mountains.

It’s rougher country somehow.

Less polished.

And then Yellowstone changes the mood entirely again.

By the time you reach the Park region, the scale of the landscape begins overwhelming the fishing itself. The rivers are extraordinary, but so too are the bison standing beside them, the distant mountain ranges, the geothermal steam drifting through timber at daylight and the constant awareness that this is still genuinely wild country.

You feel small there.

In a good way.

Montana Through Australian Eyes

Australians tend to react strongly to Montana for reasons that often have very little to do with fishing.

Of course the rivers are magnificent. The trout fishing can be exceptional. But what stays with most people is the atmosphere surrounding it all.

The openness.
The scale.
The old western towns.
The diners.
The endless public land.
The absence of fences in places where Australians instinctively expect them.

For many of our guests, particularly those in their fifties, sixties and seventies, Montana awakens something they thought modern life had buried a long time ago.

A slower rhythm.

Days built around weather, movement and daylight rather than notifications and appointments.

People often speak about “wilderness” as though it’s simply scenery. But real wilderness changes your internal pace. After a week or two over there, people start sleeping differently. Talking differently. Looking up more often instead of down.

Even the conversations change.

By the second week, very few people are discussing work anymore.

Why These Trips Changed

When I first started running Montana trips back in 2010, the structure was quite different.

Larger groups.
More movement.
More ambition.
Trying to fit too much in.

Over time I realised the best moments were rarely created by rushing.

So the trips evolved.

Smaller groups.
Better accommodation.
More breathing room.
More flexibility.
More attention to atmosphere and rhythm.

These days four anglers feels about right.

Small enough that everyone can genuinely relax.
Small enough that we can adapt plans around weather, energy levels and fishing conditions.
Small enough that solitude still exists when people want it.

That matters more than many realise.

Some clients want conversation constantly.
Others need periods of quiet after years spent in busy professional lives.

The smaller structure allows both.

It also creates stronger friendships.

By the end of a good trip, people know each other properly. Not in the shallow way modern travel often produces, but through shared discomfort, shared excitement, long days and accumulated moments.

That’s difficult to manufacture artificially.

The Rivers Change You Slightly

I’ve now spent a significant part of my adult life guiding, hosting or fishing in Montana.

Long enough to watch rivers change.
Long enough to watch towns change.
Long enough to notice myself changing too.

The Missouri today isn’t exactly the Missouri of 2010.
The crowds are larger in some places.
The gear is more sophisticated.
The fly fishing industry itself feels louder and more commercial than it once did.

But the core experience remains remarkably intact.

Good rivers endure.

And perhaps more importantly, the reasons people travel to them endure too.

People come looking for trout.

But often what they really need is perspective.

A fortnight where life becomes simple again:
Wake up.
Fish hard.
Eat well.
Sleep deeply.

Repeat.

Modern life rarely allows that anymore.

Looking Ahead

We’re already planning the next Montana season now.

The structure will remain similar because, after years of refining these trips, it simply works.

Three regions.
Different water styles.
Smaller groups.
Carefully chosen guides and accommodation.
Enough movement to feel like an adventure.
Enough stillness to actually absorb the experience.

But every season ends up different regardless.

Different flows.
Different weather.
Different hatches.
Different wildlife encounters.
Different personalities within the group.

That unpredictability is part of why these trips remain exciting after all these years.

They never become fully repeatable.

And honestly, I would never want them to.

In Closing

What begins as a fishing trip almost always becomes something else by the end.

People arrive thinking about trout.

They leave remembering:
the light across the Madison at dusk,
coffee beside drifting fog,
the sound of bison moving through grass,
the first sight of the Yellowstone canyon,
friends laughing in a restaurant after fourteen hours outside,
or a single fish rising steadily beneath a bank halfway through a long afternoon.

Those are the moments that survive.

The older I get, the more I think good trips are measured less by numbers and more by memory.

Montana seems particularly good at creating those kinds of memories.

Perhaps it’s the scale of the country.
Perhaps it’s the movement between rivers.
Perhaps it’s simply the accumulated effect of living outdoors properly for a couple of weeks.

Whatever the reason, people rarely return unchanged.

Some come home wanting to fish more seriously.
Some simplify their lives slightly.
Some reconnect with old parts of themselves they hadn’t visited in years.

And some simply carry the calmness home with them for a while.

That might be the most valuable thing these trips offer now.

Not escape exactly.

Perspective.

A reminder that another way of living still exists out there somewhere beyond airports, traffic, meetings and screens.

You just have to follow the rivers long enough to find it.



 

 

Part III: Wildness and Wonder — Yellowstone and the Upper Madison

After eight full days of fishing across the Missouri and Dillon regions, we packed the vehicles early and headed east toward Yellowstone for the final leg of the trip. Spirits were high, the playlist was good, and the landscape began changing dramatically with each passing mile.

We left the dry hills around Dillon behind and wound through the open country near Twin Bridges before climbing toward Virginia City and Ennis. In Ennis we stopped for lunch and wandered through the fly shops, each full of character, gear and local gossip. The Madison ran alongside the highway almost the entire way, broad and clear beneath a huge western sky. Drift boats slid through boulder gardens and long riffles, anglers casting as the current carried them downstream.

Every bend in the road revealed another stretch of famous water.

Eventually we crossed into Idaho and arrived at our base near Henry’s Lake. The house sat well back from the road among lodgepole pines and open grasslands marked with fresh moose tracks. A small creek wound quietly past the property, holding trout of its own beneath cutbanks and undercut grass.

Mornings settled into a rhythm quickly. Coffee on the deck. Deer feeding out in the frost. Thin cloud stretching across distant peaks. After the pace and movement of the earlier legs, this part of the trip felt calmer somehow. More spacious.

Caddis, PMDs and the Slide Area

Fishing on the Upper Madison was everything we had hoped for.

Below Lyon Bridge we encountered classic western river water. Broad gravel runs, heavy pockets, submerged boulders and aggressive trout willing to move for a well-presented dry fly. Early in the trip PMDs and caddis dominated. Spinner falls appeared most mornings, while egg-laying caddis gathered in astonishing numbers late in the evenings.

By the third trip in late July, spruce moths and hoppers had become increasingly important. The takes changed too. Less subtle inspection and more outright violence. Fish launched at large dry flies with complete commitment.

Further upstream, below Quake Lake, lies the famous Slide Area.

Here the Madison narrows and accelerates into chaotic whitewater, weaving through enormous boulders and deep green slots formed after the 1959 Hebgen earthquake. The landslide that followed dammed the river, created Quake Lake overnight and buried an entire campground beneath rock and debris.

The scars remain visible today.

Before fishing the Slide Area we visited the Earthquake Lake Visitor Centre. Standing there among the silence, reading accounts of the disaster and looking across the collapsed mountainside, gave everyone a deeper appreciation for the landscape surrounding us. Places like this feel alive in ways that are difficult to explain.

And perhaps because of that, they demand a certain respect.

Still Water and Quiet Fish

One afternoon we spent several hours stalking trout in Quake and Hebgen Lakes.

With the right light and just enough wind to ripple the surface, fish became visible cruising the shallows. Calibaetis spinner falls brought steady rises, while spruce moths occasionally drew larger trout from deeper water.

Stillwater dry fly fishing always feels slightly surreal to me. Everything slows down. You watch individual fish moving through the clear water, tracking, refusing, turning back again.

Every cast feels deliberate.

One moment in Hebgen stood out in particular. A fish rose quietly just beyond a weed edge, barely visible through the chop. One of the group laid a Calibaetis spinner over the top of it perfectly.

The trout followed the fly.
Refused.
Disappeared.

He false cast once, settled himself, then dropped the fly back into the same lane. This time the fish rose properly.

Sip.

The line came tight and the trout tore across the bay before eventually coming to hand. A thick rainbow of around twenty-two inches, bright and heavy in the afternoon light.

For a few seconds no one said much.

Moments like that rarely need improving with conversation.

Into Yellowstone

Over several days we made multiple trips into Yellowstone National Park itself, mixing fishing with sightseeing and long scenic drives.

The meadows between Quake and Hebgen produced some beautiful fishing. PMDs, caddis and midges gathered in huge numbers over the softer water and trout fed steadily through long sections of ankle-deep current. On one occasion we watched a fish refuse an emerger, drift downstream, then return several seconds later to eat the exact same fly from a different angle.

It all unfolded in water barely deep enough to cover its back.

A distant grizzly sighting one morning reminded us quickly where we were. The bear was feeding near a partially buried carcass well away from the trail, but it changed the mood immediately. Bear spray suddenly felt less theoretical hanging from everyone’s belt.

Conversations became quieter in the timber after that.

Further north, the Lamar Valley and its tributaries delivered some of the most visually stunning fishing of the trip. Slough Creek, Soda Butte and the Lamar itself flow through wide valleys surrounded by open grasslands, bison herds and distant mountains.

The cutthroat trout here rise differently to most fish.

Everything about them feels slower.

You cast.
Wait.
Wait longer still.

Then a golden head appears beneath the fly almost in slow motion. Strike too early and you miss them completely. Spook one fish and the entire meadow seems to tense up around you.

The fishing demands patience.

On our final day inside the park we drove the South Loop past geysers, mud pots, hot springs and eventually the Lower Falls of the Yellowstone. Standing at Artist Point among crowds of tourists from all over the world, everyone simply stopped talking for a while.

The scale of the place overwhelms you eventually.

Water seems to shape everything there.

Good Meals and the End of the Road

Evenings brought us back toward warmth and civilisation.

At TroutHunter in Last Chance we ate exceptionally well. Elk medallions, good beer, heavy desserts and long conversations that stretched late into the evening. In West Yellowstone we visited the Buffalo Bar and Hank’s Chop Shop, both loud and full of tired fishermen, tourists and stories from the river.

By now the mood had shifted slightly within the group.

Everyone knew the trip was nearing its end.

Every hosted trip eventually develops its own rhythm and personality. Ours had slowly settled into something comfortable and unspoken. Over two weeks we had fished technical tailwaters, freestone rivers, meadow streams and stillwaters. We had covered an enormous sweep of the American West together.

And by this point, everyone was tired in the best possible way.

The kind of tiredness that comes from full days outdoors, good food, constant movement and complete immersion in a place.

Nothing forced.
Nothing wasted.

Next Up: The Final Dispatch

The final piece in this series will reflect on the broader meaning of these trips and why they continue to resonate so deeply with people long after they return home.

For now though, this final Yellowstone leg stands on its own as a reminder that some places resist explanation.

Some fish cannot be measured in inches.

And some moments — moose in the yard at first light, a hopper disappearing in a meadow pool, cutthroat rising silently beneath distant mountains — remain with you far longer than expected.

Montana has a way of doing that.

It gets into your bones.

Part II: The Tension and Release of Dillon – Beaverhead, Big Hole & Ruby

By Anthony Boliancu

After four days of drifting the broad, steady flows of the Missouri, we packed the vehicles and turned south. Within a couple of hours, the canyon walls gave way to something altogether different-big sky desert plains, sagebrush flats, and long ridgelines that rose abruptly from the grasslands. It was a striking shift in geography. Gone were the fir-lined cliffs of Craig; in their place, Dillon unfolded with a sense of space and dryness – more ranchland than river valley.

Our base here was a renovated barn a few miles out of town – an upstairs loft with all the comforts: hot showers, solid beds, gear space, and a long porch that opened up to views of the surrounding mountains. At night, with a glass of whiskey or red wine in hand, we’d sit out there and watch the colours change over the distant peaks. Somewhere between cowboy country and trout camp, it felt just right.

The Beaverhead – Precision Required

Fishing the Beaverhead is like operating on a smaller canvas, but with finer brushes. It’s technical water, tight and sometimes claustrophobic, with dense banks and narrow drifts. At first glance, it seems unremarkable – a low, spring-fed tailwater meandering through farmland. But don’t be fooled. It holds some of the largest fish we encountered on the entire trip.

Just below Clark Canyon Dam, we ran classic bobber rigs – double nymphs with a touch of weight and subtle indicators. It wasn’t elegant, but it was devastatingly effective. Trophy fish came steadily to hand, one after the other. The kind that make even experienced anglers second-guess their hooksets.

Further downstream, near Barretts and beyond, things changed. The water widened and shallowed, with long grassy margins. Hoppers came into play. We didn’t see the full emergence of the PMDs or caddis, but even on the shoulder of the hatch, the dry fly potential was obvious. Big fish lurked in skinny water, and when they committed to a hopper-mouth wide, slow rise, back breaking the surface-it was electric.

One moment that stands out was a fish that took an emerger, then turned right around and sipped the dry as it trailed behind. Two eats in one drift, clear as day, in water barely knee-deep. It was like watching a slow-motion lesson in trout behaviour.

The Big Hole – Moving Water, Moving Hearts

The Big Hole was a different beast altogether. With hoot owl restrictions in place by late July, we set alarms for 4:45am and were on the water shortly after first light. These early starts brought their own kind of magic. Mist rising off the river. Birds cutting across the valley. That cool, lavender light that only exists for a few minutes in the Montana dawn.

The Big Hole gave us fast pocket water and room to wade. It felt wild-less tailwater, more freestone energy. We fished dries where we could, streamers when the water called for it, and got some solid fish to hand. The scenery here left a mark. Towering cliffs, old buffalo jump sites, and long grassy meadows that whispered stories older than any of us.

One morning, just as the sun crested the ridgeline, we landed a thick brown that had tucked itself tight behind a boulder. A textbook rise, a perfect cast, and a clean eat. But it wasn’t just the fish-it was the light, the air, the moment. It reminded us why we come all this way.

The Ruby – Delicate Negotiations

The Ruby was fickle but beautiful. We only had one session on this smaller, trickier river, but it was enough to glimpse its personality. A mix of overgrown banks, tight casts, and crystal-clear runs made for some nerve-wracking sight-fishing. Browns would hover mid-column, slowly shifting in and out of view, requiring absolute precision to fool.

This was fly fishing at its most intimate: light leaders, subtle drifts, and no room for error. We didn’t catch many, but the few that came to hand felt earned. Hard-earned.

The Dillon Vibe

Back in town, the days wrapped up with classic Americana: burgers and beers at Sparky’s Garage, steak nights at The Den, and the kind of conversation that only happens when a group of anglers is three rivers deep into a trip. Talk turned to rod action, leaders, tippet sizes – and eventually drifted into politics, history, and home.

There’s something grounding about this middle leg of the journey. The Missouri introduces you to Montana’s grandeur. Yellowstone delivers its epic final act. But Dillon? Dillon is where you settle into the rhythm of the trip. Where the fish don’t come easy, and that’s part of the point.

It’s also where the relationships start to deepen. Guiding days gave each angler a chance to fish with each member of the group and work on specific goals – mending techniques, reading micro-currents, changing fly strategy based on water depth or clarity. There were personal breakthroughs. Quiet moments. Shared frustration. And laughter. Always laughter.

Weather, Water, and What Comes Next

Despite it being mid-summer, the weather remained unusually mild. Most days sat in the mid-20s, with just a couple nudging past 30°C. This meant comfortable fishing and fish that stayed active throughout the morning. We watched the sun arc across big Montana skies and felt time slow down.

In just a few days, we’d be packing the vehicles again – headed towards the final leg: Henry’s Lake and the west entrance to Yellowstone National Park. But before that, we soaked in Dillon for all it was: quiet, challenging, expansive. A place where you don’t just fish – you learn.



There’s a moment that happens each year, about five minutes after stepping off the plane in Bozeman. You look up at the sky – it’s wider than you remembered – and everything slows down. The world doesn’t stop, but it exhales. That’s how it begins.

Most of our Montana guests choose to arrive two or three days early. It’s a smart move. After a long-haul flight from Australia, the extra time allows you to settle in, reset the body clock, and gently sink into the rhythm of the American West.

Bozeman is a town that wears its fly fishing heritage on its sleeve. It’s a gateway to world-class water, but also a place with a foot in both worlds – old timber shopfronts, rooftop bars, high-end fly shops, and a genuinely friendly local crowd. We recommend guests explore the town, visit the Museum of the Rockies, wander through the gear shops and coffee haunts, and stretch the legs along the Gallatin River trail.

The night before our official trip start, we always meet for dinner – and a few laughs. This year, we found ourselves front and centre at a local comedy club. To our delight (and slight terror), we had front-row seats for a show by none other than Rich Hall – Montana-born comedian, writer, and all-around razor wit. Unfortunately for one of our group, Rich took exception to a bit of good-natured heckling. What followed was ten minutes of savage, hilarious takedown. We were in tears. It broke the ice perfectly and set the tone for the trip: no egos, just humour, humility, and a shared love of the game.


On the Road to Craig

The next morning, we loaded up and headed out. The drive from Bozeman to Craig takes you through Helena, climbing up and over hills that roll like low-slung mountains. It’s a transition – geographically and mentally. The bustle fades, the road narrows, and eventually you drop down into a wide, windswept valley where the Missouri River quietly weaves through cottonwoods and cliffs.

Our base for the first leg of the trip was a set of lodges right on the river’s edge. Picture an expansive deck overlooking the Missouri, complete with a huge stone firepit, a BBQ kitchen station built for serious grilling, and the sort of oversized deck chairs that seem made for post-fishing bourbon. We had private water access, easy boat pickup, and enough room to comfortably stretch out after a long day in the sun. It felt like home, but with a better view.


The Missouri River – A Drift Fisher’s Dream

Craig itself is barely a town – more a handful of buildings, a post office, two pubs, and The Trout Shop, which somehow anchors it all. But don’t let its size fool you. Craig is the beating heart of Missouri River fly fishing, and the river itself is a masterclass in classic tailwater fishing.

Every day, we’d meet our guides at the shop early – coffee in hand, rods rigged, flies chosen with the usual blend of wisdom and hopeful guesswork. The Missouri here is a large river, with long, glassy glides and endless seams. It’s big water, but not intimidating. Most fishing is done from drift boats, allowing you to cover miles of water with grace and precision.

The technical challenge lies not in distance or power, but in nuance. This is delicate dry-fly work: size 16–18 PMDs, 20-24 Tricos, and 16 caddis. Some mornings we fished pods of trout rising steadily to spinner falls, needing downstream reach casts with long leaders to avoid drag. Other evenings, we cast to sporadic caddis risers in the shadows of the banks. Accuracy mattered. So did timing.

One standout feature of the Missouri is the sheer density of fish. The river is rich with healthy rainbows and browns, and while not every rise is a guaranteed hook-up, there’s a real sense that if you do things right – if you make the cast, get the drift, choose the fly – you’ll be rewarded.


Hatch Match and Memory

We arrived early-July, right in the heart of the PMD spinner window. Mornings often began with pale duns drifting like confetti in the back-eddies, while spinners lay crumpled on the surface in the slow water. The fish keyed in on them with surgical precision.

Caddis came on strong in the late afternoons, especially during the second and third days. There were times when you’d drift through a slow corner and see dozens of dimples – a trout ballet, set to the rhythm of emerging adults skittering on the surface. We fished everything from X-caddis to CDC emergers and even managed a few fish on soft hackles swung across the current when the rise form turned splashy.

Tricos also made an appearance, especially on the flatter water on the mornings of the warmest days. By the third trip they brought with them fine weed mats – typical of late July – but the key was to false cast just enough to knock off the debris. Some days, that was all it took to stay in the game.

One of our anglers, a first-time Montana visitor, hooked a chunky rainbow on a #18 spinner just as the wind picked up and the water went dead calm. The fish rose three feet upstream of his fly, hesitated, then reversed course and sipped it as if in slow motion. It was a moment we all saw and will long remember.

Craig with a beautiful Missouri River brown. July 2025

Craig After Hours

Evenings in Craig carry their own kind of magic. After fishing, we’d reconvene on the deck, sharing stories and photos over drinks while the sky shifted from bright blue to dusty gold. The Missouri would soften into a mirror, disturbed only by the occasional rising trout or the silhouettes of other guides drifting home.

Dinner was often at The Trout Shop’s restaurant, where the set menu featured hearty mains – steaks, ribs, Montana lamb – paired with local craft beers and simple, seasonal sides. Service was friendly, meals unpretentious but satisfying. Afterward, some would wander across the road for a local brew and a game of shuffleboard, while others lingered by the firepit, talking gear, politics, or nothing at all.

The beauty of this first leg of the trip is the way it balances technical challenge with emotional ease. You can get as focused or as relaxed as you like. The water is consistent. The town is small enough to exhale in. And the shared rhythm – fish, eat, laugh, rest – works like a reset button.



A Shift in Pace

By the fourth morning, as we packed the trucks for the next leg of the trip, there was a subtle but noticeable shift. We’d found our rhythm. The banter had warmed. The casting had sharpened. The sense of “holiday” had given way to something more grounded – an immersion.

Next stop: Dillon. The land of tighter rivers, trickier drifts, and wilder landscapes.

But Craig had done its job. It had softened the transition from home to here. And it reminded us – gently, steadily – why we travel halfway across the world just to follow the rise of a trout.